by pinback » Wed Apr 17, 2013 8:43 pm
I dunno yo, that's the thing. For me there's this incredibly fine line with this sort of "heavy" music, where on one side for me it's amazing and the greatest thing ever, and, just inches away, on the other side it's tiresome, grating, and boring.
I guess I'd sum it up thusly: If you're going to do away completely with melody, something equally involving has to take its place. With Meshuggah (and mostly with Dillinger Escape Plan, although Greg still likes to sing "notes" occasionally, that crazy kid), melody's place is taken completely and marvelously by rhythmic insanity and "how can anyone play instruments like that" technicality. I'm a rhythmic guy, and a musician, so these appeal to me.
If you're just gonna get rid of melody and replace it with chugging 16th notes in 4/4, blast beats and growling about corpses and shit, just doesn't work for me.
Thanks for taking my call.
I dunno yo, that's the thing. For me there's this incredibly fine line with this sort of "heavy" music, where on one side for me it's amazing and the greatest thing ever, and, just inches away, on the other side it's tiresome, grating, and boring.
I guess I'd sum it up thusly: If you're going to do away completely with melody, something equally involving has to take its place. With Meshuggah (and mostly with Dillinger Escape Plan, although Greg still likes to sing "notes" occasionally, that crazy kid), melody's place is taken completely and marvelously by rhythmic insanity and "how can anyone play instruments like that" technicality. I'm a rhythmic guy, and a musician, so these appeal to me.
If you're just gonna get rid of melody and replace it with chugging 16th notes in 4/4, blast beats and growling about corpses and shit, just doesn't work for me.
Thanks for taking my call.