by RetroRomper » Sun Mar 05, 2017 8:35 pm
[youtube][/youtube]
Hey! HEY! Is this thing on? Hello? Oh.. Hi!
Let me ask; am I the only person here that takes an interest in the taste of others: the world isn't just full of shit or Pinot noir, right? Or are we just insurmountable towers of preference? So hey, lets give Robb's music a chance! Just a quaint listen to while I'm slathering matzoball soup all over myself.
RETROROMPER CLASSICS PRESENTS
A review of Colliding by Design
Snare Drum or a Kick Pedal - FULL STOP. My normal speakers are going to muddy up the bass, discard the subtle punch and smash of the percussion and this whole point is to hear it right. Its a quick switch to my mid-fi headphones (Oppo PM3s powered by an O2 modded with a booster board, then a generic DAC to round it off, thank you very much) and then... Its Hallelujah as the tinny, sharp claps turn into actual sound. Suddenly there is a smack, a soft push of a percussion instrument and the bass is suddenly alive - soft smash and punches into my ear that signal that we can finally get to the real song.
There is a euro party mix buried somewhere deep inside the rather easy listening that keeps the instruments mostly out of your head space; that is until the percussion signals for everyone in that seedy, smokey nightclub in Barcelona your girlfriend just HAD TO TRY OUT, to jump up and swish their arms in the air to the collective beat.
Here is what we have: 80s' beats, synth threaded through the eye of notes that are pulled back for the vocals to take dominance in the listeners mind. Then BOOM, right back at ya for that burst of energy that can only come from having tequila poured down your throat from behind.
Its catchy, punchy, and though a quirk or not, the album feels like one long song with intermissions - Acceptance has pretty damn stellar openings (cymbal work that leads into soft bass in the titular Colliding by Design and stringy, dare I say raspy guitar in Sunset,) that takes out its claws in a grown sort of way and is swallowed whole by this poppy, euro chant.
Is there anything wrong with that? Hey, I listened to the whole album twice (second time with gapless playback and no peeking at my phone to see what track I'm on) and enjoyed it. The difference here is if you are OKAY with this dance, 80s' (Peter Gabriel came to mind) mix stuff that is designed to be digested and barely roll around ones head before coming out the other end (through the ears.)
Its a good album for background noise (no blaring beats, uniform tonality,) but for me, critical listening needs to come from another sphere though queue this one up on your phone for that morning run!
This has been a RetroRomper Classic (TM)
[youtube]http://www.youtube.com/watch?v=kaNmLrma2NE[/youtube]
Hey! HEY! Is this thing on? Hello? Oh.. Hi!
Let me ask; am I the only person here that takes an interest in the taste of others: the world isn't just full of shit or Pinot noir, right? Or are we just insurmountable towers of preference? So hey, lets give Robb's music a chance! Just a quaint listen to while I'm slathering matzoball soup all over myself.
[i]RETROROMPER CLASSICS PRESENTS[/i]
[u][b]A review of Colliding by Design[/b][/u]
Snare Drum or a Kick Pedal - FULL STOP. My normal speakers are going to muddy up the bass, discard the subtle punch and smash of the percussion and this whole point is to hear it right. Its a quick switch to my mid-fi headphones (Oppo PM3s powered by an O2 modded with a booster board, then a generic DAC to round it off, thank you very much) and then... Its Hallelujah as the tinny, sharp claps turn into actual sound. Suddenly there is a smack, a soft push of a percussion instrument and the bass is suddenly alive - soft smash and punches into my ear that signal that we can finally get to the real song.
There is a euro party mix buried somewhere deep inside the rather easy listening that keeps the instruments mostly out of your head space; that is until the percussion signals for everyone in that seedy, smokey nightclub in Barcelona your girlfriend just HAD TO TRY OUT, to jump up and swish their arms in the air to the collective beat.
Here is what we have: 80s' beats, synth threaded through the eye of notes that are pulled back for the vocals to take dominance in the listeners mind. Then BOOM, right back at ya for that burst of energy that can only come from having tequila poured down your throat from behind.
Its catchy, punchy, and though a quirk or not, the album feels like one long song with intermissions - Acceptance has pretty damn stellar openings (cymbal work that leads into soft bass in the titular Colliding by Design and stringy, dare I say raspy guitar in Sunset,) that takes out its claws in a grown sort of way and is swallowed whole by this poppy, euro chant.
Is there anything wrong with that? Hey, I listened to the whole album twice (second time with gapless playback and no peeking at my phone to see what track I'm on) and enjoyed it. The difference here is if you are OKAY with this dance, 80s' (Peter Gabriel came to mind) mix stuff that is designed to be digested and barely roll around ones head before coming out the other end (through the ears.)
Its a good album for background noise (no blaring beats, uniform tonality,) but for me, critical listening needs to come from another sphere though queue this one up on your phone for that morning run!
This has been a RetroRomper Classic (TM)